Social mobility as interpretive autobiography/autoethnography – Overview

Above: mum, Ian, dad and me in 1961 outside Canister Castle gamekeeper's cottage, Stroxton, Grantham, Lincolnshire


My work has two goals:

1. Explore the link between my "working-class” socio-economic origins and my journey into the UK's middle-class Higher Education. I want to bring out the socio-cultural experiences and factors underpinning my journey.
2. Assess the suitability of interpretive autobiography/autoethnography as a method for inquiry into my first goal.



Social mobility. The Sutton Trust defines it as the link between an individual’s socio-economic background – the circumstances they grow up in – and their adult outcomes.



Upcoming talks and publications


The International Education Studies Association Conference (7 - 8 July 2026): "My journey into the UK's middle-class academia: how adaptability became a part of my social mobility". Abstract. And slides I will present. Extract from my planned performance:

Things related to my class-identity came to a head in 2022 with my identity-epiphany. I am slightly ashamed to say that I unconsciously hid my northern accent after I joined full-time academia in London in 1988 … [Through reflexive engagement] I note that with regards to dropping my accent, 'I own it'! What I mean is that my adaptability became a part of my social mobility, social capital and my ongoing agency. It allowed/allows me to communicate with-out baggage. Others may approach this issue differently in life, this was and is my way. Thus the meaning of this epiphany changed over time.




International Conference of Autoethnography (12 - 14 July 2026): "Visiting my younger self in London at a time of squatting, conflict and cooperation: the discomfort resulting from reconstructing my past". Abstract. Extract from my planned performance:

Seeing this 1983 picture of Diane and the prose hit me hard. Diane is shown sprawled unconscious in here party frock, in a corner in King’s Cross, two weeks before her overdose and death. Brown adds:

"Smiler took pic to show her".

When I first saw Diane I felt numb. It often takes a while for my feelings to surface. I had friends that dressed like this in the 1980s for a night out: '50s frocks, shouting into the night, shapes coming out to play. The photo stirred up things inside me. This is my at-risk-epiphany. Now every time I look at Diane I feel deep sadness that we lost her. I don't think I knew her, but she was one of us, part of the at-risk London squatter scene. 




I am also engaged in publishing journal articles and a book. 



Open up a dialogue with me

I invite you to enter my perspective and maybe open up a dialogue with me about my work. You can comment below or email me at johnnigelcook@gmail.com



Links to my academic work

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