Stories from the coastal edge: W. B. Yeats, Sligo, Ireland #2


It is Saturday 18th November, 2023, and we are on a short trip to Sligo and the Wild Atlantic Way. Today I am following the W. B. Yeats trail with The Son ... and there seems to be a Yorkshire connection! I told the woman who sold us tickets for the Yeats Society Poetic Mind exhibition, and who gave us a quick tour, that a few generations ago my ancestors lived in Sligo but moved to Yorkshire. She replied: "Well the Yeats came from Yorkshire"! The name 'Yeats' was then more common in Yorkshire it seems. It has been presumed that his ancestor Jervis Yeats (formally Yeates) was a native of my county of birth; I was born in Leeds and once played at 'Yates' Wine Lodge there! Indeed, Jervis Yeates is said to have left sums of money to two aunts, Sarah Barnes of Yorkshire, and Dorothy Westnage of Turbeck near Sheffield. Not a lot of people know that.


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Bronze statue erected in front of the Ulster Bank building, Stephen Street, in May 1990.


"The eight-foot tall statue combined a realistic image of the internationally acclaimed poet with an abstract body, and was imprinted in positive relief with "cuts" from more than 150 of his poems." Irish Independent 


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The walls have quotes. Billy liked this quote, which Yeats wrote as his mantra for life: "hammer your thoughts into unity". This caught my eye: "Each age unwinds what another age had wound". Haha, that is the generational differential 😀 ! The latter quote it seems is from 'A Vision' where Yeats focuses on the city of Byzantium and its symbolic unity of all aspects of life. 


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The full quote: “Each age unwinds the thread another age had wound…Persia fell, and that when full moon came around again, amid eastward-moving thought, and brought Byzantine glory, Rome fell; and that at the outset of our westward-moving Renaissance Byzantium fell; all things dying each other’s life, living each other’s death” (Yeats, W. B. (1937). A Vision. Macmillan, London, 270-271).


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The above prophetic poem extract (on the wall at the Yeats Society Sligo) is from from Nineteen Hundred and Nineteen: "The poem paints the picture of the Irish Civil War which took place during the twentieth century with painfully mixed feelings about the war. Yeats has chosen the title aptly to substantiate his view, for it is the year in which the Anglo-Irish War began" LINK. Here is a longer extract:


Now days are dragon-ridden, the nightmare
Rides upon sleep: a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.


Below is from the Curators note under the above extract:

WAR & POLITICS
The poet's quiet despair at the events of the Easter Rising in 1916, gave rise to one of his most powerful poems, Easter 1916. But, it was more than despair; he had lost real friends and he knew too that the violent events of these weeks marked a turning point in Ireland's battle for independence. Although Yeats was surrounded by war; World War I raging in Europe and the War of Independence in Ireland, he never sought out war as an inspiration by itself. Rather he drew upon these events to begin to inspire a new kind of poetry.


As a flawed political solution helped to create the new 'Irish Free State' some six years later, Yeats was drawn into the maelstrom of political life as a senator, while he might have preferred to stay on the edge. During this time, he was the inspiration behind Ireland's new coins, insisting on placing the ancient Irish harp on the obverse, with farm animals on the reverse, symbols of the equality of all and of our roots in the natural world.


He was awarded the Nobel Prize in 1923 and many believe he wrote his finest work in the years which followed. These later poems secured his place as a global poet. His final genius is, that the work he crafted, with such care, continues to resonate with readers in the 21st century.


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Over next few days read some of Yeats poems, including A Prayer for my Daughter and The Stolen Child. 


Drumcliff Cemetery, visited Monday 20th November, the final resting place of Yeats has his epitaph from the poem, 'Under Ben Bulben', the latter mountain can be seen in the second and third photos below. His epitaph (next photo) shows he had a sense of humour; this might be interpreted as an injunction not to take life too seriously. Overall, I was left feeling very impressed with his range and the fact his words on war and politics are relevant now.


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